ComicLab Ep 450 — First Pages First
What belongs at the beginning of your book? Brad and Dave discuss whether an anti-AI statement offers creators any meaningful protection, break down the information that belongs on a copyright page, and explore the many ways cartoonists can approach the first page of a story or chapter. The best opening isn’t determined by a universal rule—it should establish the right expectations, reflect the story you’re telling, and give readers a reason to keep going.
Topics include:
- Skunk Watch 2026
- Do anti-AI statements offer creators legal protection?
- Why a standard copyright notice may already cover AI training
- The difference between creating, declaring, and registering a copyright
- What information belongs on a copyright page
- Copyright and trademark ownership
- When to use ™ and when to use ®
- Print location, printing numbers, and edition information
- ISBNs and Library of Congress numbers
- Combining copyright, title, credit, and dedication pages
- Should a comic begin with a splash page?
- Does the main character need to appear on page one?
- Using the opening page to establish tone and make a promise to the reader
- Why different stories require different kinds of openings
- Brad’s two-page system for beginning a new Evil Inc chapter
- Creating separate covers for SFW and NSFW editions
- Using chapter openers as archive markers, promotional art, and production buffers
- Dave’s approach to prologues, chapter openings, and world-building vignettes
- The difference between the first page and the first chapter
- ComicLab LIVE at the National Cartoonists Society Reuben Awards










