If you’re like me, you feel completely awkward when it comes to adding color to your comic. After all, finding two hues that harmonize is difficult. But harmonizing enough colors to make a pleasing scene? That’s a color-theory challenge that has eluded me for almost a decade. It doesn’t help to read about the old-time animation colorists who point out that sometimes they’d use purple for a tree trunk because it made the scene better.
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