Last week, in a critique in which the use of traced photography was being discussed, a member said, in his defense:
Hmm…I didn’t think copyright would be so much of a concern. I got these images off various random google searches, after all.
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I’ve gotten a few e-amils over the past few weeks from members who have been experiencing problems with the site.
There were some major (backend) updates pushed out this month. I’m told that one possible solution is to clear your browser cache, login and try again. If that doesn’t work, please help me track the problem.
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Today’s post is brought to you completely by chance.
I was moving some old illustrations around in my studio, and I uncovered a bunch of illos that I had done for a project back when Evil Inc was just beginning.
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Q.: I’m projecting I’ll reach 1 million unique visitors/month for the first time, which I’m obviously pretty happy about. However, I’m curious if this is something appropriate to celebrate, or even mention.
My natural instincts are telling me to keep my head down and quietly chug along. I don’t see a lot of upside to mentioning it publicly, other than maybe being taken a little more seriously by my peers, and even that is dubious.
The other problem is that this instinct is keeping me from seeking help where I need it. I want to ask people here what they would do with that level of traffic because I’m certain I’m not maximizing the business side of things, but at the same time I know there are a lot of authors on here getting numbers in the double-digits, and I don’t want to sound like a jerk.
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Part five in an ongoing critique of comics picked at random from participating members. As with before, if I re-write the punchline, I’m not necessarily trying to go funnier. I’m trying to demonstrate construction. I want to show how you re-assembling the logical steps along the progression of your comic can lead to a more effective punchline. It may not seem funnier for your sense of humor. But I’m confident that if you pay attention to the construction, you’ll be able to take away somethin that works for you.
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I heard the teaser on the radio: “What happens to your Twitter account after you die?” And it made me think. There’s an awful lot of us that’s left lingering — digitally — after the Grand Finale. According to Mashable.com:
Just as Facebook allows users to request that an account be deleted or memorialized when a friend or loved one has passed on, Twitter users can get in touch with administrators at the company to either completely delete the account or obtain a permanent backup of the deceased user’s public tweets.
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So, we’re standing at our booth at Emerald City Comic Con, and my boothmate, Dave Kellett, starts chuckling, having remembered a recent Evil Inc comic that made him laugh. Eager to find out what I’d done right, I pressed him, and he told me that it was this one.
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Last week’s Webcomics.com poll asked three questions about digital downloads. With 131 members responding, we have very interesting results.
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Over the weekend, MSN mused whether the comic-book industry is headed for extinction.
According to the widely read Mayo Report at Comic Book Resources, February 2011 was the fourth-worst month in comic book sales since hard data began being reported in 2003 by major distributor Diamond. February also set a new low for sales of the month’s top-selling book, “Green Lantern,” which moved just under 72,000 copies.
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The LegalZoom newsletter has an interesting piece entitled Five Things to Remember When Starting a New Business. Number One, understandably was to choose the right legal structure:
- Corporation: Shareholders are not personally responsible for company debts; allows opportunity to raise capital from investors; formal record-keeping required; may reduce taxes, especially self-employment taxes.
- Limited Liability Corporation (LLC): Generally protects personal assets from company debts; no corporate tax as profits can be passed directly to owners; fewer corporate formalities required.
- Sole Proprietorship: No corporate formalities required; run by one individual who is personally responsible for the business’s debts.
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