Having wrapped up his 16th Kickstarter, cartoonist Dave Kellett shares some insights about setting realistic expectations, avoiding paid advertising, and...
Today’s episode is sponsored by Bonjoro — an amazing app that enables you to quickly send personalized welcome and thank you videos to your readers, clients, patrons, or backers. As Twitter launches a subscriber service, we discuss how every platform is introducing subscriptions. Also, after a decade of social-media dominance of the Internet, what happens NEXT? Then, we spend the rest of the hour discussing Patreon best practices.
Questions asked and topics covered…
Twitter launches Super Follows
Everything platform is becoming Patreon
What happens AFTER social media?
Are comic conventions coming back — and would you go?
Artfol is a new social-media platform that is positioning itself as “a social-media network for artists.” Eschewing the traditional algorithm approach, it promises an improved platform for creative people. Ironically, it’s because of that approach that I give Artfol a high probability for failure.
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The traditional tax deadline today. However the IRS has extended the deadline to May 17 due to the COVID pandemic. (This does not apply to state and local taxes.) But what if you owe money and can’t pay? Don’t make a bad situation worse. This could end very badly if you handle it improperly.
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A cartoonist was sharing some advice they got on a recent webinar. The instructor suggested that a comics artist should keep a reader moving through a book by placing something enticing at the end of the page. This is a wonderful way to approach a book. It’s fantastic! It’s downright TREMENDOUS! …if the year is 1983 and you’re signed by a print publisher. But… since it’s the year 2020 and you’re trying to build an audience on the Web, let’s talk about strategic layoutbased on story beats.
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The ’Ringo Awards have opened nominations for this year’s awards. Click this link to nominate your favorites — and share it with your readers, encouraging them to nominate their favorites!
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FREE FRIDAY! Today’s post is available without a subscription! For years, I’ve advocated against printing calendars to sell to readers. The logic is very simple. You have an incredibly narrow window in which to offer this merchandise, and after that window closes (sometime in mid-January), your stock is completely unsellable.
See, the problem with printing a calendar is that it’s incredibly difficult to foresee the correct number of units to print. Of course, you can do the print-on-demand (POD) route — as I’ve recommended in the past — but the profit margins on POD projects are notoriously small and the best (in my opinion) option for POD calendars, Redbubble, stopped supporting calendars altogether.
This strategy — including them as Kickstarter Stretch Goals or Add-ons — circumvents that entirely.
By piggy-backing your calendar onto a successful Kickstarter campaign, you start out knowing approximately how many calendars to print because the orders have already been placed. You can print enough to satisfy your Kickstarter backers, and you can include a small number of extras to sell later.
By getting the money and the orders upfront, you can print the calendars using an offset printing process or a high-quality digital one. That means higher quality, and more satisfied customers.
And, most importantly, you start the print project in the black. You’ve already paid your costs through the Kickstarter. So any extras you sell between now and next january as pure profit. If they don’t sell in time, you simple pulp them or throw them in as extras in all of your February orders. Or you can send them to your top Patreon backers. Or gift them to family. It doesn’t matter. You’ve already turned your profit.
If you — like me — have been vexxed by readers asking for calendars — or stung by printing calendars that didn’t sell within their window — this is an excellent tool to have in your back pocket when your next Kickstarter comes around.
Steven Spielberg was rejected TWICE by the University of Southern California’s School of Cinematic Arts. Walt Disney’s newspaper editor told him that he ‘lacked imagination and had no good ideas’. A perceived failure often tends to be the gateway to a bigger success. That’s why I think we spend too much time worrying about what happens if our Kickstarter fails.
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You’ve got your script written, and you’re ready to start penciling pages. The only problem is — how the heck are you supposed to get started?! Let’s take it step by step.
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Today’s episode is sponsored by Bonjoro — an amazing app that enables you to quickly send personalized welcome and thank you videos to your readers, clients, patrons, or backers. This week, Dave and Brad talk about a hot topic in art — NFTs. We’ll discuss what it is and whether it’s the future of valuing digital art.
Questions asked and topics covered…
NFTs — Nonfungible Tokens
How to get started — planning the path to your goal
This post, updated from last May, is being shared as part of Free Friday. Every Friday, I post a sample of the exclusive content you can access as a subscriber! Although vaccinations for the COVID-19 virus are underway, many comic conventions are canceling show dates due to understandable fears over public safety. Since 2013, I’ve been arguing that comic conventions are losing propositions for most of the creators who were still participating in them. There are other — better — ways for independent creators to make money. Here are five strategies to replace – and hopefully even exceed — the revenue you’re missing from canceled comic conventions.
People are flocking to digital goods during the pandemic. They don’t need to be delivered physically, they’re cheap, and they’re fun. This is the perfect time to up your eBook/eComic game. Here are some posts to get you started.
Kickstarter
I realize that some people are backing away from Kickstarter. They assume that readers are tightening their belts. And they’re worried about fulfillment. And those are valid concerns. But recent six-figure Kickstarters like Lackadaisy animated series flies in the face of budget-frightened backers. And, which fulfillment is going to be a little more complicated than it was a few months ago, it’s not going to be impossible. When I made the decision for myself, I built in a little extra money to cover shipping (in case there are problems with the United States Postal Service) and padded my fulfillment deadlines by a couple months. This is a calculated risk that might be right for you, too.
Patreon exclusives
I’ve long been a strong proponent of offering exclusives on Patreon — and I have over a hundred posts to prove it. This is the time to prove to yourself that exclusives can drive a Patreon campaign. Ask yourself what you’d be willing to do as an exclusive. This will be particularly powerful if it’s something that has some creative relationship to your central comic. Then ask what your readers would be willing to pay for. The cross-over in this mental Venn diagram is where your exclusive resides.
eBay original art
If you work in traditional media, like ink-on-paper, you can offer that original art on eBay. An auction atmosphere is an excellent way to make sure you’re getting top dollar for your pieces. I would recommend starting the first few auctions with a base price that establishes a bare-minimum worth for your efforts. After you’ve proven to yourself that a market exists for your original art, take a page from Dave Kellett’s book and start the opening bid as low as a penny. This will generate brisk interest in the opening moments of the auction — which will help rise the price quickly and place you in a superior position with the eBay algorithms.