Having wrapped up his 16th Kickstarter, cartoonist Dave Kellett shares some insights about setting realistic expectations, avoiding paid advertising, and...
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys talk about hand lettering. How can someone beat the learning curve? Then, Dave pitches a superhero comic, while Brad pitches a space opera. And finally, when a listener share their mentors admonition to “learn the rules so you can break them,” both Brad and Dave share all of the mistakes they made following that very advice.
But first, while their house undergoes a full remodeling project, Brad and his family has moved in with his in-laws.
Questions asked and topics covered…
Hand lettering
Brad and Dave pitch a comic in the other’s genre
“Learn the rules so you can break them” — is it really good advice?
iMovie is a great tool for producing quick and easy video to promote your comic on social media. However, it has only two options for aspect ratios — Widescreen (16:9) and Standard (4:3). Unfortunately, these aren’t good fits for social media — particularly Twitter, Instagram and Tik Tok. After struggling with several workarounds and stopgap measures, I finally developed a clever way to get the square shape I want without learning more complicated software like Premiere Pro.
The content you are trying to access is only available to members.
If you want to build out your comics-font library, be sure to mark this on your calendar. ComicCraft traditionally holds a sale on Jan 1 every year in which price of each of their fonts is based on the year. This New Year’s Day every ComiCraft font will be $20.20 apiece.
The content you are trying to access is only available to members.
There are two very different approaches to Patreon, and — depending on your webcomic and its readers — you may want to favor one over the other. However, some of the best Patreon approaches feature both.
Support vs Exclusive
The two types of Patreon campaign are best characterized as Support and Exclusive. In a Support-based Patreon, you focus on offering free content and encourage your followers to contribute to the Patreon to keep the free content flowing. In an Exclusive Patreon, you offer exclusive content in addition to your free content — and the only way to access those exclusives is through Patreon.
Support
Patreon started out as a support-based crowdfunding app. Nearly all of the first campaigns were support-based, and many popular Patreons continue to be support-based. Amanda Palmer, for example, runs a support-based Patreon that has nearly 14,000 backers. Although she offers many rewards that only Patreon backers can obtain, all of her videos — her main content — are free. Webcomics’ Jeph Jacques runs a similarly support-based Patreon campaign supported by nearly 7,000 backers. Again, although there are some rewards that are considered exclusives (like his music column from a couple years back), but his core content — his comics — remain free.
A Support based Patreon approach is going to fall victim to the sociopsychological phenomenon of diffusion of responsibility. In other words, whenever there’s a group of people, the individuals feel less responsibility to take action when required to do so. In other words, “I don’t have to do it because someone else will.” Most webcomic readers are going to feel very little responsibility to support a comic that’s being delivered to them as long as it’s being delivered to them. (And, let’s face it, after it an artist finds it impossible to continue production, it’s too late to take responsibility for supporting the comic.)
Due to this diffusion of responsibility, a support-based Patreon relies on one of two options:
A very, very large number of followers
A relatively small audience that is highly engaged.
In the former, the creator relies on sheer numbers for success. If only 1% of 100,000 followers take action, that’s still 1,000 backers. In the latter option, the audience may not be vast, but their engagement — the passion they take in the artist’s content — is so high that a greater percentage of them take action (and, likely, take action at the higher reward tiers).
If you have a readership that numbers above the hundreds-of-thousands, a Support-based Patreon might be the best route for you.
Exclusive content
Of course, if you don’t have hundreds-of-thousands of readers, you may want to consider a Patreon campaign that features exclusive content. In this approach, you still offer free content, but you also offer a second line of content that’s available only to higher-tier Patreon backers.
You free content acts as a loss-leader to introduce new potential backers to the exclusive content you’re offering on Patreon. The exclusive content is just that — accessible only on Patreon, and only for higher-level backers.
A mix of both…
Of course, some of the best Patreon campaigns feature a little Support and a little Exclusive Content. I’m very much in favor of exclusive content, but my own Patreon page has a $2 tier that’s strictly Support-based. In fact at that level, I think the reward should reflect the Support-based approach fully — offering very little as a reward besides, perhaps, early access to the free comic.
And, of course, be sure to keep a clear distinction between rewards and exclusive content. An eBook that’s only available to Patreon backers isn’t the same as a line of comics that are exclusive to Patreon. The former is a reward — but not, necessarily exclusive content. Exclusive content is generally ongoing work in the artist’s core strength.
For more information on offering exclusive content on Patreon…
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss the strategy behind creating a comic solely for the film rights. Is this really a good idea?
But first, could Brad win in a fight with a hamster?
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys talk about hiring an editor. It’s more than catching spelling errors. A good editor can help craft your story and improve your plot.
But first, Dave remembers listening to Gloria’s pregnancy meditation tapes during her first pregnancy.
Questions asked and topics covered…
What is the best way to ensure you do not inadvertently plagiarize other works?
Please never use the word “doodling”
How does an editor compare to having beta readers? Is it worth it?
In offering exclusive content, do you risk alienating your fan base who have followed you on social media over the years?
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss unexpected outcomes of webcomics success. Plus, Beth Reidmiller, the talented force behind the coloring of Sheldon and Drive, joins the guys to talk about collaboration and more!
But first, writing tips for the sleep-deprived.
NOTE: Dave’s audio quality suffered a slight decline during this episode — which was recorded during the same recording session as last week’s show. We apologize for the momentary lapse in sound quality. Next week’s show will return to the full-throated audio excellence you’ve come to expect!
Questions asked…
What has been the most surprising positive or negative outcome of your success that you never expected?
What are the best ways to collaborate with an artist?
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss Patreon Assembly. Did it live up to the hype — or have they missed an opportunity to foster creator growth?
But first, how to navigate Thanksgiving — and dairy farms — as a professional cartoonist.
Questions asked…
Patreon Assembly replaced last year’s PatreCon, and it wasn’t an improvement
Special Offer! If you become a Patreon backer at the $5 level or higher before Thanksgiving, you’ll get both “How To Make Webcomics” and “The Webcomics Handbook” as easily downloaded eBooks! Plus, you’ll get a new episode of Drunk ComicLab — which will be available only on Patreon!
This episode of ComicLab is sponsored by Wacom! On this week’s show, the ComicLab guys discuss the importance of allowing a failing Kickstarter to come to its natural end.
But first, Dave learns the saga of Jim Hanks.
Listener questions…
Should you “save” a failing Kickstarter?
How do you convert Patreon followers into backers?
Should you use Myers-Briggs personality tests to help define characters
Should you do Charge Upfront on Patreon?
Drawing smoother lines with shaky hands
Special Offer! If you become a Patreon backer at the $5 level or higher before Thanksgiving, you’ll get both “How To Make Webcomics” and “The Webcomics Handbook” as easily downloaded eBooks! Plus, you’ll get a new episode of Drunk ComicLab — which will be available only on Patreon!
When I worked in newspapers, December always meant end-of-the-year lists. Every writer in every department would file one. Why? Well, I guess they can be pretty interesting. But more importantly, they’re easy content to churn out during the busy holiday season.
So let’s discuss a quick-and-easy way to generate a top-10 list for your comic.
Google Analytics — Pageviews
First, we’re going to use Google Analytics to discover the top 10 most popular comics in our archive.
Click on Behavior in the left-hand column
Now click Site Content, and then All Pages
Change the time frame to Jan. 1, 2019 through today’s date.
This will generate a list of the most popular pages in your archive, by pageviews.
Your home page, obviously, is going to be the most popular, but let’s leave that out of it. The next page down will be the most popular archive page, and then the one after that will be second-most popular, and so forth.
Google Analytics — Organic Search
Alternately, you can build your list based on organic search results.
Change the time frame to Jan. 1, 2016 – (today’s date)
Under Audience / Overview, click Add Segment (at the top)
Select Organic Traffic from the list and click Apply
Go back to the top of the page, Select All Users (by clicking the downward-facing arrow) and click Remove.
Go to the left-hand column and open Behavior
Under Site Content, click Landing Pages
Now you have this year’s most popular pages, in terms of search results.
Build your list — quick
Remember… the name of the game is to get this done quick so you can get back to spending time with your family over the holidays. If you’re using ComicPress or Comic Easel, it’s gonna be a snap with shortcodes.
In this case, the shortcode you’re looking for is [[randcomic slug=SLUG]]
Just replace “SLUG” with the slug of the post — which is that hyphenated phrase after /comic/ in your Analytics list! So, using the example above, my #1 comic is short-coded as [[randcomic slug=ruin-a-moment]]
Top 10
My preference is to start with the tenth-most-popular comic and work my way backwards to the most popular. (You’ll have to load the next ten results to see the actual #10 — since you won’t be including your home page).
I assemble them into a list, making a brief comment about each, and — presto! — I have a quick-and-easy Year-End Top 10 list!