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Cartoonists Brad Guigar and Dave Kellett start a discussion about trying to avoid becoming the people they used to fight, only to slowly realize… it had already happened.
ON THIS WEEK’S SHOW…
Don’t become your heroes
What is the dominant publishing format?
How much life experience goes into writing?
How do you keep the sex fresh in NSFW comics?
Today is a great time to bump up your ComicLab membership to the $10 tier! Patreon backers at that level will get exclusive access to livestream recording sessions — as well as an archive of previous livestreams!
Email outreach is hot again — and many independent creators are leaping to it as a way to escape social media. But in so doing, many of us are running afoul of long-standing FTC regulations which could hamper our ability to reach those readers over the long term. So let’s talk best practices.
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It’s not uncommon to panic in the early days of a Kickstarter campaign. After that initial shower of pledges, the activity often drains out — leaving the creator wondering if they’re going to be left all wet. That’s when it’s time to get into the “tub.”
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when it comes to your audience, size doesn’t matter. A small and engaged readership beats a huge, lukewarm audience every time. Here’s why…
Manufacturing success
I often caution people against trying to manufacture success. In other words, they try to look at what’s hot at the moment and then develop a strip that addresses its popularity. It’s probably the reason the Web is overpopulated with gamer comics. The problem with that is unless you can write — really write — material for that topic, it’s going to sound hollow to your readers, and you’ll never get the traction you need to succeed.
I’d also caution against what I call the “demographic comic.” This is a comic that is based on a strong demographic trend in hopes of attracting an audience from within that trend. An example of this is the syndicated comic, “Dustin.” The core concept of the strip is based on a group demographers called “boomerangers.” These are kids who have graduated college and then move back home with their aging, Baby Boomer parents.
As an aside, that’s not to say that “Dustin” isn’t a perfectly dandy comic or that I’m predicting its failure. What I’m warning you against is basing your writing on a demographic trend instead of basing it on one (or both) of the following:
Your head
Your heart
See, at first, the question is deceptively simple: “How do I know what I want to write about?” I mean… you just know, don’t you?
Well, maybe not. Maybe there’s lots of stuff, and you need to sift through it to find the best option. Maybe you’re looking in the wrong place. And that begs the question of where you should be looking. I’ve given this a lot of thought, and, to the best of my ability, I think you’re going to find the core for Your Best Story in these places.
Your head
Your Best Story just might be behind the thing that you know the most about — the topic in which you hold the most experience. And if that’s a seemingly underwhelming topic like quilting, then that’s what it is. Because you know that quilting isn’t just about blankets; it’s about community and relationships and traditions. You know about the culture that has developed among quilters. You know their language, and you know their shared experiences.
You’re an expert in something. You have an exhaustive knowledge of a topic — even if it doesn’t seem to be a particularly marketable one. And, if the past ten years have taught us anything, it’s that no topic is too mundane or too marginalized that it can’t find a healthy niche readership on the Web.
So look in your head. What’s in there? It might not be particularly awesome, but it’s yours. It’s you. Embrace it.
Your heart
Conversely, Your Best Story might lie in your heart. It might be the topic about which you are infinitely fascinated. It might be that place that your mind always wanders to — no matter where it starts out.
Maybe it’s nature. Maybe it’s the idea of life on other planets. It’s that topic that you know — no matter what — if a movie or a book comes out with this Thing as its theme, you are going to love it.
You might not know a lot about this topic, but you find it endlessly fascinating. You don’t have an exhaustive knowledge about it, necessarily; but you have an inexhaustible interest.
Huh?
And that leaves you working on a comic about needlepoint naturalists from Dimension X, right?
Well, not necessarily. (Although, it does have possibilities…)
You could develop a comic that is directly and literally linked to your Head or your Heart.
But you could also develop a comic that works off of these themes in a tangental way. For example, someone with an endless fascination of nature could easily direct that passion into an outer-space, sci-fi comic. The naturalists become explorers and the animals become aliens.
And although a comic about quilters may or may not have much of a future on the Web, a story that uses a quilt as a metaphor throughout a larger narrative of life in a rural village could certainly have legs.
The best case scenario, of course, is that you find a theme that applies to both your Head and your Heart. But I’m not going to say that it’s a prerequisite. After all, if you’re really passionate about something, you’re going to end up with the expert-level knowledge in that topic. And you can’t really hold an exhaustive knowledge without a certain amount of passion. Having one is going to lead to the other if it isn’t already there.
But I think this is where Your Story is hiding. In one of those two places. Head and heart.
One thing I can state with conviction is that starting your story from one of these places will have three effects:
Your writing will be more true. It will have authority and conviction.
Your ideas will come more naturally — mainly because you’ll be able to see this topic from perspectives and angles that “civilians” never approach.
You will enjoy it more. And your enjoyment will infect your readers.
Instagram
This is the reason I don’t place a high value on Instagram. It may be possible to build impressive numbers on Instagram, but the platform itself limits engagement to such a degree as to make the entire venture pointless.
Prove it to yourself: The next time you run a Kickstarter, use the embedded analytics to ascertain how many of your backers came from Instagram. Recently, a cartoonist with an Instagram following of more than 40,000 charted exactly one Kickstarter backer who had come from Instagram. That’s pathetic — to the degree of uselessness.
Cartoonists Brad Guigar and Dave Kellett get a case of déjà vu when a new crowdfunding service reminds them of an old scheme that crashed and burned. Then, a listener writes in to complain “It’s Friday and I’m not famous!”
ON THIS WEEK’S SHOW…
Subless — A new crowdfunding service based on an old idea
“It’s Friday and I’m not famous!”
Weekend Web traffic
Today is a great time to bump up your ComicLab membership to the $10 tier! Patreon backers at that level will get exclusive access to livestream recording sessions — as well as an archive of previous livestreams!
Recently, a comics artist decided to remove the paywall for their Patreon campaign, asking instead that people take a look at the previously exclusive content and support the artist if they liked what they saw. Predictably, it had disastrous results.
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There’s a discussion on Reddit that I want to call your attention to for two reasons. First: It’s packed with some really good tips on writing marketing/promotional text. Second: One writer’s response to that advice is a microcosm of everything that’s wrong with many artists who find themselves trying to build a business.
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If you’re saving your comics in RGB mode, you may be making a potentially expensive mistake.
First, we’ll start with the age-old conundrum of CMYK vs RGB.
CMYK: This mode is used for an image that will be printed at some point. It gets its name from the four inks used in process printing: Cyan, Magenta, Yellow, and Black (which is designated “K” to avoid confusion with cyan, which is sometimes called “Blue” by some old-timers). Using these four inks, printers can create a spectrum of five-or-six thousand colors on paper.
RGB: Named for the three color of light that monitors use to create images (Red, Green, and Blue), RGB mode is used for images that are intended to be seen on TV or computer monitors. A spectrum of 16.8 million colors is possible using RGB mode — far more than CMYK mode.
I strongly recommend working in CMYK mode for the simple reason that there are some RGB colors that are impossible to achieve in CMYK, whereas the transition from CMYK to RGB is rather smooth.
If printing a book is in your future (and it is, if you’re planning to grow your business), CMYK colors are a must.
This is true despite the fact that POD printers will happily accept RGB files for print. Offset printers (like Transcontinental), however, will insist on CMYK files. And as your business grows, switching to offset printing will become imperative if you’re going to reduce unit costs and maximize profits.
So my advice is to work in CMYK in your first step. It’s much better than being faced with trying to adjust a few hundred RGB files a few years from now.
Why not both?
This presents a potential problem for some colorists who prefer to work in RGB to make use of the Photoshop filters (and other tools that are RGB-only). Luckily, there’s a workaround for that:
In Photoshop, go to View -> Proof Setup and select Working CMYK (it may already be selected by default).
Next, select View -> Proof Colors.
Your image will still be RGB, but you will be seeing it as it will look after it is converted.
BEWARE, however. You will still need to convert that image to CMYK when you’re done — preferably before you trap the colors under the lineart. It is still an RGB image until you have done so!
Cartoonists Brad Guigar and Dave Kellett give advice to a comics artist who realizes that they’d accidentally plagiarized a character from someone else… but they like their character so much they just don’t want to change it! Is there a plagiarism loophole? But FIRST… there’s a lot of news and updates to cover!
Charles Schulz Museum — Brad and Dave will be doing a special LIVE show at the Schulz Museum on Nov. 12 to celebrate what would have been the legendary cartoonist’s 100th birthday.
“I made a plagiarism — but I LIKE it! …Do I HAVE to change it?”