ComicLab Ep 159 — The Best of ComicLab 2020
To help ring in 2021, let’s take one more look back at some of the moments that made us happy to be creating comics during a particularly challenging year.
To help ring in 2021, let’s take one more look back at some of the moments that made us happy to be creating comics during a particularly challenging year.
This week, Brad and Dave have some thoughts about finding success in the new year.
Questions asked and topics covered…
This week, Brad and Dave talk about crafting names for the characters, places and objects in your comic.
Questions asked and topics covered…
This week, Brad and Dave devote the entire show to one topic — Getting started. They have ten suggestions for anyone who wants to start publishing their own comic on the Web.
Getting Started…
You get great rewards when you join the ComicLab Community on Patreon
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…
ComicLab is hosted on Simplecast, helping podcasters since 2013. with industry-leading publishing, distribution, and sharing tools.
Today’s show is brought to you by Wacom — makers of the incredible Wacom One! This week, Brad inaugurates a new segment called “And That’s Why I Self-Publish!” Next: A site that scraped exclusive Patreon content bites the dust, and we learn from the experience.
Questions asked and topics covered…
You get great rewards when you join the ComicLab Community on Patreon
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…
ComicLab is hosted on Simplecast, helping podcasters since 2013. with industry-leading publishing, distribution, and sharing tools.
Today’s show is brought to you by Wacom — makers of the incredible Wacom One! This week, the guys talk about blessings in disguise — moments when they didn’t achieve a goal they greatly desired… and later found out that succeeding would have made their lives worse.
Questions asked and topics covered…
You get great rewards when you join the ComicLab Community on Patreon
Brad Guigar is the creator of Evil Inc and the editor of Webcomics.com Dave Kellett is the creator of Sheldon and Drive.
Listen to ComicLab on…
ComicLab is hosted on Simplecast, helping podcasters since 2013. with industry-leading publishing, distribution, and sharing tools.
As an increasing number of Patreon users access rewards through the Patreon app, it’s time to address how we post comics for our patrons.
The content you are trying to access is only available to members.Get out your calendar and start circling dates. It’s time to do a little webcomics planning.
The content you are trying to access is only available to members.So you’ve decided to start a webcomic. Or maybe you’re launching a new chapter in your ongoing webcomic. The question eventually arises: What’s the best way to launch? There’s a few things you should keep in mind to maximize this exciting time…
Remember “The Child Who Cried Wolf.” Your followers are only going to put up with a finite amount of “coming soon” messages. I would suggest that one or two weeks is plenty of time for pre-promotion. Longer than that is going to try your readers’ patience.
This is an incredibly fine line to walk. Your objective during this time is to express your excitement about an upcoming event — but not tease the event itself.
What’s the difference? Expressing your excitement doesn’t involve an implicit “go-and-look” share statement. This is a good time to post sketches or teaser images. But you’re not talking about the actual launch yet. Talking about the launch itself does involve an implicit go-and-look statement, and you want to save that for the final posts before the Grand Opening.
This is this biggest rookie mistake that webcomic creators make. They make a Big Noise about a launch — building an impressive amount of buzz around the event — and then, on the Big Day, they open to a single page.
Unless that single page has an extremely powerful emotional hook, you’ve effectively lost all of the momentum you’ve spent so much time building. This is especially true of your single page is ambiguous — like a longshot of a castle or a pair of feet running through mud puddles. There’s no emotional hook in a page like that — and therefore, no reason for a potential reader to come back for the rest of the story.
Instead, consider launching your webcomic with a well-developed hook. If you’re smart, you will have written the story so that hook happens quickly — perhaps even in the first eight pages. But whether it takes eight pages — or eighteen — you should have enough pages available on your site on Launch Day to captivate readers so they want to stick around for the entire story.
In the same way that feature film use trailers to entice moviegoers, you could prepare a trailer for your story. It doesn’t have to be animated — it doesn’t even have to be a video — but it should be created with the goal of whetting your potential readers’ appetites for the ongoing marrative.
Remember: Social media is all about sharing. Give your followers a reason to share your posts. And, let’s face it, unless you have a very large existing following of engaged readers, posting: “My comic just went live!” has extremely limited sharing potential.
Why? Because right now, you’re the only one who cares. You need to give your backers a reason to care. What’s that reason? It’s probably closely related to your Elevator Pitch. In other words, what’s your comic about? What makes it special? Why are people going to fall in love with it? Your messaging should be targeted at those concepts — not something mundane like “I just posted the first page.” Tell your followers why they should care.
Twitter seems to be the latest social-media platform to try to emulate Patreon’s success. Today it unveiled “Super Follows,” a feature that allows Twitter users to charge for content.
The content you are trying to access is only available to members.